海角社区

海角社区 alum and Associate Professor in the Department of English and Screen Arts Zachary Godshall has spent the last 20 years turning the devastation of Hurricane Katrina into stories that explore the environment, as well as the loss, resilience, and love of its people.

Beginning with his debut film 鈥淟ow and Behold,鈥� to later works like 鈥淭he Boatman,鈥� Godshall has rooted his career in Louisiana landscapes and communities. 

Godshall, an associate professor in English and Screen Arts, grew up in Lafayette, Louisiana and was living there when Hurricane Katrina made landfall.

鈥淟afayette was untouched by the storm itself, however, many friends were affected, including my sister, who lost her apartment and car in the flood,鈥� Godshall said. 

At the time, Godshall was teaching film production at South Louisiana Community College while helping students document the stories of displaced individuals housed in the Cajundome, due to the storm. 

Affected friends and family, as well as the stories of the displaced individuals, inspired Godshall to create 鈥淟ow and Behold鈥� with his friend, and actor, Barlow Jacobs. 

鈥淭his was the beginning of a major turning point in my creative and personal development,鈥� Godshall said. 

There was some trial and error while Godshall and Jacobs filmed 鈥淟ow and Behold鈥� in post-Katrina New Orleans, due to trying to balance the emotional weight of the subject matter with the creative process of storytelling. This forced Godshall to abandon his traditional filmmaking methods, and instead he learned to adapt, collaborate, and improvise

鈥淲orking in this way with a small crew and a mixture of professional and non-professional actors forced me out of my comfort zone,鈥� Godshall said. 鈥淲ay out.鈥� 

Godshall recalled a time when he was filming from a moving car in the Lower Ninth Ward, and a woman shouted at him to not point his camera at her. This moment pushed Godshall to rethink how to capture the devastated city of New Orleans and the emotion of its people. 

鈥淭he most honest, and perhaps most powerful, way to portray the devastation that surrounded us was to show it indirectly, by way of restraint,鈥� Godshall said. 

After filming was wrapped, 鈥淟ow and Behold鈥� was shown at the Sundance Film Festival in 2007. Godshall recalled the silence, and delayed applause, he heard after his film ended. To him, the silence meant the film had touched the audience deeply. 

鈥淟ow and Behold鈥� taught Godshall the importance of audiences and continues to shape the way he makes his films and his approaches to storytelling. 

鈥淭hey did not clap. Instead, they sat in silence until the music faded out,鈥� Godshall said. 鈥淭he audience remains the final and perhaps most important collaborator.鈥�

鈥淟ow and Behold鈥� inspired Godshall to create other Louisiana stories, including his 2015 documentary 鈥淭he Boatman,鈥� which focused on an aging couple from St. Bernard Parish who survived Hurricane Katrina. The film was selected to play at the in August, as part of their commemoration of Hurricane Katrina鈥檚 20th anniversary through cinema, When the World Broke Open.

鈥淭he couple celebrate their 71st wedding anniversary in the film, and it鈥檚 easily the most joyous moment I鈥檝e ever had the honor to include in a film,鈥� Godshall said.

Using these experiences, Godshall often introduces himself to his students by explaining his Lafayette roots, how he studied at 海角社区, and how Hurricane Katrina reshaped his career as a filmmaker. 

Now, as he builds upon his 20-year career of filmmaking, Godshall continues to explore water and its role in shaping Louisiana鈥檚 identity. He is currently working on a storytelling bridge between Louisiana and the Netherlands because of their environmental commonalities. 

鈥淚 received a Fulbright Scholar Award to spend next semester at TU Delft in South Holland where I will teach filmmaking and storytelling, thus creating imaginative connections between two of the world鈥檚 greatest river deltas,鈥� Godshall said. 

Godshall hopes his students, and audiences, feel touched by his films, whether being moved to tears and unexpected laughter, or to think differently about their own relationship with their environment. 

鈥淚 hope audiences remember fondly these faces and these places, and that in recalling them, they feel tenderness and even love,鈥� Godshall said. 鈥淏eyond that, whether they are from Louisiana or not, I hope the films inspire people to think in new ways about their own relationships to land, water, and their neighbors.鈥� 

Turning Tragedy into Impact

Explore 海角社区鈥檚 role in response, recovery, resilience, and research following Hurricane Katrina.

Katrina 20th Anniversary Coverage